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USA produced Epiphones of this era bear standard Gibson serialization and include the Made in USA stamp on the back of the headstock. See Martin Serial Numbers for a dating information. Though you were told there was only12 of this model made, it will not be any more valuable than if there 10,000 made. This was adapted to the mandolin over the next few years. There was some amber color. Prairie State instruments have the patented rod and/or tube reinforcing, occasionally found on other Larson built guitars. Similar to an A2 except for the top color: an orange top in the teens, and a white top (refrigerator-top) in the late teens and early twenties. 1980 $1249 By late 1980, the Gibson deluxe tuners with Crank button, and Posi-Lok strap button were added. It was a refinement of the slope-shoulder design of the original Jumbo but slightly deeper: 4 13/16. All Rights Reserved. The tuners were individual Kluson with amber buttons. >I see no collectors market for banjos like yours.<. Buy in monthly payments with Affirm on orders over $50. cases they carry no identifying name at all. I have owned a beautiful Kay company banjo for over 30 years. Other singing cowboys who later owned Super Jumbos include Roy Rogers and Gene Autry. The neck is the long piece of wood that attaches to the banjo body that guides the strings along the instrument's fretting surface (called the fingerboard ). The neck holds the strings secure using tuners, four of which are located at the peghead, with the fifth string tuning peg located almost halfway up the neck. serial number impressed to verso, 60 cm long The fretboard was bound but without extension and The Gibson was stamped into the tailpiece cover. The L-5S was the first high end jazz solid body guitar. I'll have to record it and post a tune. Skip to main content. It would have helped if the Larson brothers had sequential serial numbers but there is just enough contradictory evidence to prevent one from trusting numbers that appear to be sequential. How did you come to own it? Gibson TP-6 tailpiece became standard. CUSTOMER SERVICE. mikehalloran - Posted-12/27/2013: 17:21:06. The neck was a broad round profile single piece mahogany with a bound coffewood fretboard and dot markers. Maybell was a Slingerland brand name. I visited his place once when I was kid (probably mid - late 1970's) and his finished basement was filled with guitars, banjos, lots of different instruments. In any event, these should be used only as a guide and not assumed to be absolutely correct. Weve seen some serial number lists that are as much as 8 years out-of-sync with this list. Welcome to the Vintage Banjo Maker, please do sign up for email updates to keep in the loop about new additions to our research coming soon! Art Studios. It was Gibsons most prestigious solid body (and therefore expensive, with a couple of exceptions). MIDWEST BANJO CAMPJune 1-4, 2023New Manchester, IN, 'Pisgah Banjo Co. raffle for Arnold Shultz Fund extended to March 10, 2023' 2 hrs, 'Pisgah Banjo Company banjo raffle extended to March 10' 2 hrs, 'Lost Indian: Samuel Bayard collection ' 3 hrs, 'Lost Indian: Samuel Bayard collection' 3 hrs, 'Flinthill FHB-300 - Killer bluegrass banjo for the money!' A simpler variation on the SJ-200 with fewer appointments and a lower price tag was the SJ-100. During the Folk Boom of the 1960s, Gretsch produced a line of 5 string open back banjos with regular and long necks. Numerous articles in Vintage Guitar Magazine over the years. There can easily be more numbers within each year listed. They did not imprint the instruments with any particular brand. 2005-2023 acousticmusic.org. I like it. Higher grade models (such as the Super 400, L-5, J-200, etc.) Google Play. themselves through common hardware and design characteristics. the teacher or distributor. Hand Engraving. JR, jumbo size guitar with East Indian rosewood back & sides, chrome tuners. The name variations included Bacon and Day and B&D for all the instruments co-developed by Fred Bacon and David Day. Many have no identification at all. It would surprise me if there were 12 of those made as K banjos, however. The original V shape of the necks of the J-35s was replaced by distinctly round necks (baseball bats) and a tear drop pickguard. No binding, no inlay and no decoration. The appointments of the Southerner Jumbo included more top binding and an additional set of rosette rings. LoPrinzi Rosemont, New Jersey built by Augustino LoPrinzi (and apprentices) with Augustino on the headstocks. The soundhole binding does not extend the full depth of the soundhole. For example: B&D had several un-numbered models between 1913 and 1920. The electric version included a P-90 pickup at the end of the soundboard like the later versions of the J-160E. In 1923 it appears that Gibson began to assemble A-2s with left-over blonde tops from A-3s. In some cases there are no pickguards. Serial number records exist for instruments built before 1975 and after 1980. Gibson changed the name again in the 1950s to the SJ-200. If1970s, would be Japanese, more likely. Grupo Musical. GIBSON GARAGE FIND A DEALER GIBSON APP. In 1893, he patented a banjo neck fitted with a channel for the 5th string to pass through so it could be tuned at the headstock instead of its usual location. Headstocks of US models also use the Gibson headstock shape. Yes, paging Scott to the Collector's Corner, please. The model started production in 1938 as Gibsons top-of-the-line flat top guitar. B-series Factory location: Grand Street, New York City from 1972 to 1973. Many banjo manufacturers, in addition to making banjos under their own names, These had black plastic laminate headstock overlays with Bacon engraved in blockletters and a small, metal plate engraved Bacon Folk Model. Martin Guitars seemed to take note of the successful sales of the Gibson acoustic-electrics J-160E and CF-100Es. A Style mandolins were symmetrical and shaped like a teardrop. Modern Gibson Logo open "b" and "o". Mythology has it that the Southerner Jumbo was specifically targeted at the Southern market honoring rising Country music trends. Gibson Banjos 1925 and Later: . They didnt sell well but did live up to their design intent of a heavier, booming tone with good overall balance. The LG-Series is 2 narrower than the J-Series. The following are believed to be accurate known numbers: The following serial numbers are approximate at best. The Lyon & Healy peghead shape used on most of Example: U8034853 U = Unsung, 8 = 1998, 03 = March, 4853 = manufacturing number. It had chrome plated standard friction pegs, rosewood finished neck and headstock with matchin resonator. To confuse matters, they also manufactured Bacon banjos that had been developed by Fred Bacon: the Professional, the Orchestra and the Blue Ribbon. S3M, Size 3 guitar with mahogany back & sides. LG-0 | Introduced 1958 | Discontinued 1973, LG-1 | Introduced 1947 | Discontinued 1968, LG-2 | Introduced 1942 | Discontinued 1962, LG-2- | Introduced 1949 | Discontinued 1962, LG-3 | Introduced 1946 | Discontinued 1963, B-25 | Introduced 1962 | Discontinued 1976, FJ-N | Introduced 1963 | Discontinued 1970, F-25 | Introduced 1963 | Discontinued 1970, B-15 | Introduced 1967 | Discontinued 1970, Brazilian rosewood rectangular through bridges, 2 screws in the bridge with MOP dot covers, Basically the same as LG-1 with a mahogany top, Single plastic tortoise shell binding top and back, Narrow neck design with 14 degree headstock angle, Same basic guitar as LG-2 with average wood, Wood imperfections covered by a dark sunburst, Tall scalloped braces change to low-profile rough cut, Enlarged rectangular bridge with closed slot, Fire striped plastic pickguard teardrop shape, Last use of the Banner decal on headstocks, Basically the same as an LG-2 with better materials, Bottom belly rosewood bridges with adjustable saddles, Back, sides and neck finished in walnut stain, Body shape: 16 wide, round shoulder dreadnought shape, Top: Select spruce, 2-piece bookmatched with scalloped X-bracing, Neck: mahogany, single piece, unbound, 19 fret, dot markers, Bridges: Rosewood belly-down. Carl and August Larson built instruments between 1900 and 1944. The soundhole size coincided with the overall size of the instrument. They are very pricy at over $20.00 each, but worth it if you want . The selected tuners varied randomly by model and year. The new design was thinner and much easier to handle and play. The above Peghead Shapes are existing patterns. The 5th string is a crucial distinguishing characteristic of the five-string banjo, both in the instrument's appearance and in the sound of the music. Between 1934 and 1938, Gibson only offered the sunburst finish. The 1975 price was $549. A-3s had refrigerator white tops with a black perfling line, adjustable truss rods and adjustable bridges. Dark stained plain birch back and sides. Gretsch started a new serial number system. Every banjo has a story. The 1934 version had a classic Gibson sunburst: the small amber center around the bridge about 1/4 of the top area. A flourish inlay under The Gibson in the headstock. Gibson had helped in the war effort and seen many employees enlist. S3R3H, Like S3R, with 3-piece back, full herringbone binding, gold tuners. I own the book and have found it to be an invaluable resource in identifying these old guitars. See more ideas about banjo, guitar inlay, ukulele. Pickguards between 1909 and 1921 +/- show a stamped patent date of Mar. The tuners were individual. It also had a black veneered headstock (front and back) and a black inlay in the back of the neck. 1923 into 1970: 1 piece mahogany necks. target no need to return item. The public seems to have favored this shape over time as it fetches better prices now. It is, therefore, not unusual to find older mandolins with replacement bridges. Gibson believed that these choices would allow them to focus on their more profitable lines. Headstocks say LoPrinzi. On rare occasions, some dates can be found on . They are essentially an Advanced Jumbo with minor compromises: they filled a gap between the J-35 and the J-55. Information gleamed from the Mandolin Cafs website over the years. It appears that many mandolin owners of earlier models chose to upgrade their bridges to the fancy new adjustable models after 1921. There are also examples of A-2Zs without the Z on the lable but still sporting the black perfling line. 1890s into 1907: Inlaid into the top of the instrument. The Gibson Company was formed in late 1902 and the early mandolins evolved from the original Orville Gibson designs. Ironically the first blond J-45s were actually built in July of 1942 (Called the J-45N for Natural) and the actual number of these shipped is not known for sure. Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. CMI acquired Gibson around May 1944. In 1941 the fretboard became Brazilian rosewood. Knob changes usually following other Gibson electrics. Why not post a little tune with it. JR3H, like JR, but with 3-piece back, herringbone binding & gold tuners. In 1935, binding was added to the fretboard. Hard-case rugged and gig-bag light! . Please read the section on J-35s and J-55s as the J-45s and Southerner Jumbos replaced the earlier models it was a natural evolution. New Location: Our 19th Year * Sign Up Now . It worked. Made in USA. During the period of 1909 through 1920 Gibson produced large numbers of mandolins. Its difficult to positively 1946 onward: No feet the bottom of the bridge flush on the instrument top. (The 1st year of the J-45 actually had similar appointments but they were reduced and simplified for model clarity in 1943). Some early necks were cherry before 1912. Identification. 340 Rosewood back & sides, MOP, colored wood appointments & a Tree-of-Life fretboard inlay. Ohio banjo player Steven Moore has his first solo project, Just a Little Talk with Myself, just recently released. Headstocks of US models also use the Gibson headstock shape. It took Gibson 2 years to develop their response: The Jumbo of 1934. They could be strung with steel or nylon strings. See also: Gibson J-160E for more historical context. They were now able to get better materials. The appointments roughly followed the Southerner Jumbo but the design was primarily electric: it had a 3-ply top with ladder bracing to reduce the low-end response for the single coil pickup placed at the base of the fretboard. One of the advantages of choosing a banjo made in a small shop environment is the easy availability of customization. The saddles were wider than usual. You'll find Epiphone serial numbers in the standard places. The swing of a lathe is measured as the total diameter of a finished turned piece, such as a wood bowl. The fingerboard typically has inlays made of silver or steel. They had dot markers on the fretboard and a moustache bridge with individual adjusters on each string. The headstock had a black wood face veneer. Martin Flat Top Guitar Body Sizes and Designations: The body size designation is stamped on the neck block starting in October 1930. It became the working mans choice and one of the most enduring instrument designs in history. Factory Order Numbers (FON) include the 2100s to 2500s, The adjustable truss rod reappeared in 1944, Tuners cogs got slightly thicker and with beveled edges. He was also a guitar enthusiast with a passion for physical and psycho-acoustics. It was available with a brown finish and came as a snakehead or paddle headstock. set of identifying characteristics can be found at Pearl dots on fretboard. It is important to note that there are exceptions to every rule and the following is only a general guide for identifying Gibson A Style mandolins. Some rectangular examples, Headstock appointments: Decal Only a Gibson is Good Enough banner. It was available in red, black or two-tone sunburst finish, fleur-de-lis under The Gibson; Handel inlaid tuner buttons prior to 1916 (WWI) with a dotted + in each button. C-series Factory location: Hinsdale, New Hampshire from 1973 to 1979, D-series Factory location: West Sansei, New Hampshire from 1980 to 1981, The designation S refers to the body size: 2 & 3 (increasing with number value). Approximate Chronology (there are always exceptions): There were a few natural finished J-45N models made during 1942. Semi-hollow guitar serial numbers are found inside the 'top' F-hole on a label. This is a high-quality instrument. The hardshell case had a green or red silk lining. The guitar designs, however, were not the problem. Some J-45 models with non-bookmatched two piece Adirondack spruce tops and some examples with four piece tops. Gibson On 12 fret to the body guitars, in a break with tradition, the Larson brothers frequently inlayed the 10th fret instead of the ninth. It was the heart of the depression and the instruments cost $60 without a case. Each model of the Mark Series was available in natural or sunburst finish. By 1936, with the depression still gripping the nation, Gibson moved to stay competitive and offer a more affordable option: The Advanced Jumbo (Advanced meaning that the size advanced: got bigger) with rosewood and fancier appointments that would compete with the Martin D-28 at $80 and the Jumbo 35 at $35 to compete with the Martin D-18. This is a high-quality instrument. Dimensions: 16 wide, 10 1/4 long and 4 1/2 deep. Have a vintage Harmony guitar? Brown or black finish, some binding only on the top and in the soundhole with one ring around the soundhole. Its not clear how it works during this period. The body dimensions basically match the LG-series: 14 1/8 wide by 19 1/2 long by 4 1/2 deep. The neck heal had a white plastic cap. I wouldn't be surprised if a few exist with other brand names. The 1975 price was $1,999. The exceptions are those guitars sold by Selmer in the UK which will (probably) have a number stamped into the back of the headstock and guitars sold by Van Wouw in the Netherlands. The bass of this model will amaze you, and of course the clear brilliant treble is in perfect balance. For once, the hyperbole may have been closer to the truth. Depending on the selected source, there is disagreement about these numbers. MK-35 models were mahogany back & sides, rosewood fingerboards with dot inlays & nickel hardware. 1979 $1149 Antique Sunburst added to Fireburst, Cherry Sunburst and Natural. the bins that were used to move instruments from . Factory numbers (when the exist) appear in pencil inside on the block where the neck meets the body. This is the smallest model, chrome tuners. For a period of time, this was the top of the line. . serial number 8382, New York, circa 1920s, intricate abalone shell inlay to fingerboard and headstock which also bears the Company logo. serial number impressed to verso, 60 cm long Australian zither . Gibson style one piece flange, probably zinc, also Gibson style flange brackets, 4 resonator screws. It was built for Hollywood singing star Ray Whitley as the worlds biggest and fanciest acoustic guitar. Some FONs for 1942 include 7116-7119, 7434, 7705, 7721, 907, 910, 923, 928, 2004-2006, 2059, 2098, 2110, 2119. There were many name variations for The Bacon Banjo Company, Inc. but it remained in Fred Bacons name from 1920 until the company closed in 1938. and many were left unmarked. Gibson Banjo Serial Number Factory Order Number Information; Pre-war banjos, Flathead, Mastertone. Neck: mahogany single piece. The Larson bridge, if not otherwise specified by another company, is a rectangular flattened pyramid ebony style similar to those used by Lyon and Healy. If you continue, we will assume that you agree to, http://www.banjohangout.org/archive/276603, 'Pisgah Banjo Co. raffle for Arnold Shultz Fund extended to March 10, 2023', 'Pisgah Banjo Company banjo raffle extended to March 10', 'Flinthill FHB-300 - Killer bluegrass banjo for the money! This moved the X away from the soundhole a bit. It shared many features with the L-5 archtop electric acoustic: The neck was basically an L-5 neck in scale, section and detail. They generally had birch or walnut back and sides sometimes flat and later (1904+/-) carved. 1921 onward: Metal 90-degree pickguard support screwed into the body and additional screw to the neck. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/276603. After October 1930 the body and style designations and the serial number appears stamped on the neck blocks: Since the Larson brothers built guitars for many brand names, identification can be difficult, but there are a number of stylistic and structural building techniques that help narrow the exercise. The FON is the only identification number on Gibson's lower grade models (like the ES-125, ES-140, J-160E, etc.) The flood of returning soldiers with a broader world-view brought new musical tastes and new hopes for the future. Electric guitars having the serial number on the back of the headstock. Information gathered from many sources but there are a few that need to be acknowledged: Dan Beimborns original Mandolin Pages web site and later contributions to the Mandolin Archive. The sunburst finish was generally $30 less than natural finish. Script Gibson logo, Fretboard: Twin parallelograms inlays unbound 19 fret. For example, one head might sound right for one player on a five string banjo, but be disappointing on another players tenor banjo. F Style mandolins have a carved nautilus shaped curl on the upper left-hand bout. AMF ceased production of LoPrinzi guitars. Serial numbers are addressed elsewhere on the web site but can be found also on Gibsons website and George Gruhn & Walter Carters book: Gruhns Guide to Vintage Guitars. It is important to note that there are exceptions to every rule and the following is only a general guide for identifying Gibson "A" Style mandolins. It was initially called the De Luxe Jumbo for the few versions that were delivered before the model went into production. I'm leaning more in that direction. There is a utility market though. Higher numbers also meant more money. 1974 $895 This was the best sales year for the L-5S shipping 555 instruments.
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